A 
Review of Tamara Baxter's Rock Big and Sing Loud
by Gloria Oster
Just as a fine wine offers a range of flavorful notes for
one's palate, so Tamara Baxter's collection of short stories, Rock Big and Sing Loud, strikes a range
of emotional notes-all culminating in an extremely satisfying reading
experience. Baxter's finely crafted
plots and lovingly drawn characters reflect a keen ear for the idiosyncratic
speech patterns and expressions of our region and a sharp eye for both the
comic and tragic in human behavior. As
with all good fiction, the setting of Southern Appalachia
does not limit Baxter's themes to this region, but, rather, the characters and
their conflicts become a part of the human drama found anywhere when life is
examined closely.
The collection consists of sixteen stories, all with titles
that delight and pique interest. Who
could not be curious about the subject matter of stories entitled "Doomsday
Monday at PeeWee's Hamburger Emporium," "Me and My Mean Sister Mary Lee," Jack
Mooneyham is Going to Hell," or "Killing Oranges"? The cleverness of these titles exemplifies
Baxter's use of humor that frequently contains a darker dimension. The humor
often belies the desperation and down-and-out nature of her characters' lives.
Such blending of the comic and tragic is difficult to master,
but Baxter's stories illustrate a complexity that could be likened to the same
characteristic of Flannery O'Connor's works. Like O'Connor, Baxter often uses
the narrative viewpoint of an innocent child or a naļve adult to make more
vivid life's trials and villains. For
example in "Black Dark," the narrator begins: "Mama makes me go through Mr.
Fred's holler, and it black dark and me not able to see my hand in front of my
eyes and night sounds coming at me every which way." To reveal why this child must endure the "black
dark" might reveal too much of the story, but rest assured that there is a good
reason. This child's and his Mama's ties
to each other are great while both must endure a ne-er-do-well father and
husband.
Another story focusing on the antics of an innocent is "A Wind Among the Stars." The first line of this story declares: "When Mary Margaret Jenkins was twelve years old and had the common sense of a chicken, she got it into her birdy brain to drive her brother Elroy's car, a 1952 Ford, a big high-off-the-ground boxy automobile with lots of glass and chrome." Mary Margaret's inexplicable behavior as seen through the eyes of the narrator ultimately reveals Mary Margaret to be an imaginative visionary. The discrepancy between the narrator's observations and the reader's perceptions reflect another technical achievement of Baxter's stories.
A story with another "knock-your-socks-off" beginning
illustrates the two-edged sword of Baxter's humor. In "Flashpoint," the narrator begins: "I had
not been dead five minutes before Riley cupped his hand over Charity Sanborn's
left breast, causing her to let out a silly giggle." Yet the story is set against the backdrop of
a wife on life support and a husband who has fallen prey to the sexual wiles of
the home health nurse. To add to the
entertainment value, the dead narrator has seen and understood it all. Comic? Well, yes and no.
Not all stories in this collection use humor as the driving
force behind the plot, but most do. One
notable exception is "A Christmas Mourning."
This story reminds readers of how life can be unbearably cruel. How does a young husband and new father deal
with grief, bewilderment and hostility brought on by the death of his wife and
the birth of his daughter, especially when nature and in-laws show no sympathy
for him? The poignancy of his situation
is striking.
To repeat, these stories will entertain as well as elucidate the reader concerning the ever-surprising variety of human behavior found here and elsewhere. Baxter's collection won the New Writer's Series Prize in 2006 presented by the Jesse Stuart Foundation. The honor is well-deserved. These stories and their readers await further work by this talented author.
